designs
matter has its origins in a landscape design practice established in
1984 by Sally Visick. The original business built up a portfolio of
public and private sector clients with commissions in environmental
improvements, tourism schemes, housing, conservation areas, public parks
and private gardens, throughout Northern Ireland and further afield.
Susan Crowther joined Sally in 1989, bringing her considerable experience
of private architectural practice to bear on schemes as diverse as war
memorials, historic buildings and sculptural steelwork.
By
1998 it was clear that the title, Sally Visick Landscape Architect,
no longer reflected either the range of skills available to our clients
or our aspirations for the business. We know that high quality, clever
design creates enormous added-value...designs do matter!
Sally
Visick
Sally
is a landscape architect with 20 years experience of public and private
practice in Northern Ireland. A graduate of Cambridge University, Sally
gained her professional education in Manchester after a period at University
in France. She has long been involved in representing her profession
at both local and National level, having served on the Council of the
Landscape Institute as Honorary Treasurer and Chair of the Education
Committee. She is currently a member of the Ulster Architectural Heritage
Society Committee and a member of the Forestry Commission's Landscape
Advisory Panel, where she represents Northern Ireland.
Susan
Crowther
Susan
trained at Queen's University Belfast as an architect and has been in
private practice since 1979, but she is now best described as a designer.
Susan takes great delight in solving problems by design, whether it
is the layout of an office interior, a shopfront, a piece of signage,
cutomised street furniture or a steel railing. She has considerable
experience of working sensitve locations, such as historic town centres
and in the renovation and conversion of existing buildings to new uses.
A particular expertise in designing sculptural steelwork has recently
led to major public art commissions and her artist's impressions of
buildings and streescapes are often preferred to computer -generated
perspectives.
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